Thursday, February 23, 2006

SignalDrift :: Set Design

This is music for play, while walking alone along a space station corridor, long, and lined floor to ceiling with crystal clear windows viewing a strange green world, clouds sliding across its face, wondering about my new home.

This latest sonic scape offered to us by an American Artist, Franz Buchholtz, surprised me in how quickly I came to replay it. There are certain albums that demand to be played, as albums, not as tracks. Tracks from these albums have me hitting stop on the shuffle, so I can finish the album. I go to these albums and not to genre shuffles or playlists for the mood they impart, for the way they affect my environment. These are drugs we self prescribe to alter our mental state.

This is simply one of the best new albums I've adopted in quite a long time.

Available on Rhapsody and Amazon

Monday, February 20, 2006

Artist::The Ink Spots

The Ink Spots were the preeminent black vocal group of 1940's pop music and were precursors to the doo-wop, rhythm & blues, and rock & roll sounds that blossomed in the subsequent two decades. The original members of the group were Jerry Daniels, Charlie Fuqua, Ivory "Deek" Watson and Orville "Hoppy" Jones, and sometimes included guest accompany vocalists such as Ella Fitzgerald, though various changes occurred throughout the group's history as members passed on, were drafted into military service or left due to internal disagreements. The following is a list of those vocalist considered to be legitimate members of the group over its recording history: Bernie Mackie, Huey Long, Cliff Givens, Billy Bowen, Herb Kenny, Adriel McDonald, Ernie Brown, Teddy Williams, Jimmy Cannady, Bob Benson, Asa "Ace" Harris, Bill Doggett, Ray Tunia, Harold Francis, Fletcher Smith, and Everett Barksdale.

The sound of the Ink Spots evokes impressions of an era gone by, inspiring images of enjoying a lunchtime sandwich and coffee in a New York deli during the second World War, or indulging in a fine Claret at a social affair in a scene from The Great Gatsby. The smooth mellow flow of the music is relaxing and easily sets a good background for activites such as casual conversation or Sunday morning coffee alone on the veranda. The mild energy level prevents tension yet does not sink into melancholy or depressive ranges. As a vocal group, harmony is the pillar on which the Ink Spots music is founded, and contains only minimal and subdued instrumental flourishes. One side effect of limited instrumentation however as a generic sound that pervades most of their music.

Readers may be familiar with the track If I Didn't Care as it appears often in film and television including the notable movies The Shawshank Redemption and Blade Runner. This track along with 11 other popular Ink Spot tracks appear in the 1999 release The Best of the Ink Spots an album in the 20th Century Masters: The Millennium Collection series of releases by MCA Records, and provides a good introduction for the causal listener to enjoy The Ink Spots.

For more detailed information on the group's history see the Ink Spots entry in Wikipedia.

Thursday, February 02, 2006

Grooves Podcast #2

PodCast #2
Hosted by Editor Sean Portnoy. The show clicks at just over thirty one minutes with eight featured tracks. Moderately good although I haven't revisited it after the first couple listens.

Grooves Podcast #1

Grooves Magazine has published an excellent podcast for the experimental electronic scene. This is the first one, hopefully one of many. I will be following them closely. This is a premier location to hear what is new and hot in this difficult to follow genre.

PodCast #1
Hosted by Senior Editor Rob Geary. The show clocks at just over thirty two minutes with six featured tracks. The podcast has a relaxed upbeat vibe. Its fun, inventive, sometimes strange, but only strange enough to give this carpet of solid dub and electronica a fringe of freakiness. I predict, you'll dig.